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Phthalocyanine Blue (unspecified)

PB15

Alternate Names

Monestial Blue

Phthalo Blue Red Shade

Phthalo Blue Green Shade

Monastral Blue

Pigment Description

Phthalo Blue is like liquid sapphire that could be administered through a medicine dropper. This is the essence of blue in a bottle, and there is something about it that also lends itself to a chemical age. It is one of the essential colors for a modern high chroma palette— a saturated transparent cyan or middle blue. When high chroma is wished for, it is a Godsend, and it is one of the only routes to a true bright cyan. However for lower chroma blues, it can be a challenge to use. We call this entry "Phthalo Blue Unspecified" because often there is an additional number to the pigment code which tells a person which sub-variety of Phthalo Blue is being used. Sometimes the paint companies leave off this extra piece of information and just write PB15. While there are a handful of sub-types, Phthalo Blues comes in two main varieties, Phthalo Blue Green Shade and Phthalo Blue Red Shade. The Red Shade is a tiny bit more likely to mix toward a middle blue that leans toward indigo where the Green Shade leans more toward cyan. We have an in-depth article as well as a comparison of several different Phthalo Blues in oil.

Phthalo Blue can be tricky to handle in painting because a little bit goes a very long way. It also has a way of making its presence known in a mixture, so some painters prefer Cerulean PB35 or Cobalt PB28 for naturalistic subjects. However, Phthalo Blue makes some of the highest chroma middle blues and cyans, and there is no replacement for this incredibly bright blue.

In terms of health and safety, phthalo blue contains copper. Please see the Artist's Guide to Health and Safety for information about the hazards associated with copper pigments. The author's most recent updated writing can be found through her site. Phthalo Blue sometimes contains impurities depending on the way it is manufactured and may contain dioxins and PCBs.

Phthalo Blue requires a moderate amount of oil. Opinion is divided on its drying time with some saying medium to slow and others listing it as fast. It seems to frequently contain additives, stabilizers, and extenders. While phthalos are thought to be less toxic than other some paints, avoid tubes made before 1982 (or even we have heard as late as 1986) as they may be contaminated with impurities such as PCBs. Handle all artist colors with care.

Resources

PB15 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com,

Spurgeon, Tad. Living Craft: A Painter's Process. Mt. Airy, Philadelphia, PA: Zoetrope, 2018. Newer version available here: https://www.thomaskitts.com/page/36804/tad-spurgeons-living-craft,

Information about PB15 from Bruce MacEvoy, Handprint Guide to Watercolors, General information about this class of pigments from Handprint,

Elliott, Virgil. Traditional Oil Painting. Echo Point Books & Media, LLC, 2019. https://amzn.to/4nwIdzq,

CAMEO Materials Database: Conservation & Art Materials Encyclopedia Online, Museum of Fine Arts Boston. (Accessed June 2025). Phthalocyanine Blue https://cameo.mfa.org/wiki/Phthalocyanine_blue. Museum of Fine Arts Boston,

Mayer, Ralph. The Artist's Handbook of Materials and Techniques, 5th ed. New York, NY, Penguin Group, 1991. https://amzn.to/44OzBN9

Stats

Lightfastness

Excellent in oil and acrylic, may be less LF in watercolor. May depend on pigment supplier

Excellent, but may have slightly less lightfastness in watercolor

Transparency

Transparent

Toxicity

Thought to be in the category of Lower Concern, but may contain contaminants

Tubes made before 1982 or even 1986 may contain PCBs or dioxins. Current phthalos may also contain toxic contaminants depending on country of manufacture or other variables. Treat all pigments and paints with studio safety protocols. Please see the Artist's Guide to Health and Safety for information about the hazards associated with copper pigments. The author's most recent updated writing can be found through her site.

Tinting

Extremely strong

Dry Time

6-18 days. Many varieties dry in less than 5 days and are likely to contain driers.

Oil Content

Medium

Sources vary, but as a pigment it has a medium amount by volume. Some sources say when it is made into a paint, its oil by volume is high

Particle Size

Very Fine

Chemical Name

Copper Phthalocyanine

C₃₂H₁₆NCu

Dry Pigments listing PB15

DISCLAIMER: Please note that we are not experts in health and safety and we are not toxicologists, please consult the proper experts. We are not liable for any issues that may arise from the use of our website or its contents. The information contained in this site is provided without warranty or guarantee of any kind. We do not necessarily endorse any other website that are linked from our site. For any important pigment specs, please reference the manufacturer details. If you discover errors or omissions, please reach out through our contact form. Thank you.

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