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Top Pigment

Cerulean Blue

PB35

Alternate Names

Caeruleum

Bleu céleste

Caeruleum

Pigment Description

An essential color to the advanced artist’s paintbox, this is an indispensible blue when opacity is needed in the blue-greens. It is far easier to handle in naturalistic work, such as foliage, botanicals and landscape, and even in portraiture. This color is much more earthy than phthalo blue, PB15. It is still a bright blue, and it will mix differently into a palette than phthalo. Cerulean tends to be greener than Cobalt Blue, PB28.

As a pigment it's opaque or semi-opaque, but it is sometimes diluted, probably due to its expense. It requires a high amount of oil to make it into a paint, and tends to be a slower drying oil paint.

Cerulean Blue is made of Cobalt Stannate, which is sometimes listed as Cobalt tin oxide or Oxides of Cobalt and Tin on the paint label.

Somewhere in the B class for toxicity, cerulean does require careful handling and the precautions fitting for the category. It contains cobalt, so please see the Artist's Guide to Health and Safety for information about the hazards associated with cobalt pigments. The author's most recently updated writing can be found through her site.

It has excellent lightfastness, and under normal sunlight conditions this gets solid excellent marks. However in the recent lightfastness testing done by Golden there were some unexpected results when exposed to a special form of artificial testing light. However this is generally considered a lightfast pigment regarding natural light. It tends to be a very stable pigment with a reputation for lightfastness.

Resources

Stats

Lightfastness

Excellent

Historical reputation for excellent lightfastness with highest marks (solid 8’s on the BWS). In Golden’s Lightfastness Testing in oils, Cerulean performed at an ASTM II- Very Good in Lead White in Linseed as well as pure Zinc Oxide. While Cerulean performed well in outdoor sunlight it showed a surprising sensitivity to artificial simulations such as QUV and Xenon. In tints it performed at ASTM I - Excellent in the other mixing whites which were tested.

Transparency

Opaque, Semi-Opaque

Oil paints are found ranging from semi-transparent to opaque depending on how they are formulated

Toxicity

Hazard, Use more caution. Artiscreation says, "Hazard if carelessly handled, ingested in large amounts or over long periods of time; Do not ingest; Avoid dust & spray."

Contains cobalt, so please see the Artist's Guide to Health and Safety for information about the hazards associated with cobalt pigments. The author's most recently updated writing can be found through her site. Treat all pigments and paints with studio safety protocols.

Tinting

Low

Dry Time

Medium

Slow, however, many paints 2-7 days and some list less than 2. These may contain driers.

Oil Content

Varies

Some sources suggest high to very high oil requirements by volume depending on the binding oil. We would love to see every brand list oil content by volume, and Williamsburg has done this for their colors. They list a moderately low amount of oil with a linseed oil binder. Mayer categorizes it as high oil volume with a score of 112. By weight, Artiscreation lists 15-25 g/100g of oil, but your pigment may have different requirements.

Particle Size

Fine, sometimes grainy

Chemical Name

Cobalt Stannate, or oxides of cobalt and tin

Dry Pigments listing PB35

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