Phthalo Blue (R
NCNF)
It’s fairly rare to find PB15:2. Phthalo Blue, pigment code PB15, has several variants, and PB15:2 is one of the sub-categories of Phthalo.
The main types of Phthalo Blue are called Phthalo Blue Green Shade, which leans more cyan, and Phthalo Blue Red Shade, which tends to be a middle blue that leans slightly more toward indigo relative to other phthalos. PB15:2 is just one of several phthalo blues, and it seems like more of a red shade.

Old Holland Scheveningen Blue Deep, PB15:2
When it comes to Phthalos, the number after the colon in pigment code signifies this specific variety, which in this case is called Red Shade. Among Phthalos, PB15:1 is a more commonly found red-shade variety. General information on Phthalo Blue in paints can be found on the pigment entry for PB15 as well as the in-depth article on Phthalo blues.

Old Holland Scheveningen Blue Deep, PB15:2
Phthalo Blue requires a moderate amount of oil.
Opinion is divided on its drying time with some saying medium to slow and others listing it as fast, however it may contain driers. It seems to frequently contain additives, stabilizers, and extenders.

Old Holland Scheveningen Blue Deep, PB15:2
Many painters are not aware that phthalos could contain toxic contaminants since its generally its toxicity is thought to be low, and the potential for contamination is not well publicized. In particular, Phthalo Blue sometimes also contains dioxins and PCBs depending on how it was manufactured. The Artist's Guide to Health and Safety is one source for information about the hazards associated with copper pigments though we would caution that the book is dated. The author's most recent updated writing can be found through her site.
While phthalos are thought to be less toxic than other some paints, avoid tubes made before 1982 (or even we have heard as late as 1986) as they may be contaminated with impurities such as PCBs. This is part of why we advocate handling all artist colors with care and proper safety protocols.

Old Holland Scheveningen Blue Deep, PB15:2
Phthalo Blue Red Shade is a popular single-pigment artist paint. It's extremely concentrated in masstone, glazes beautifully, and makes high-chroma tints.

PB15:2 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com
Spurgeon, Tad. Living Craft: A Painter's Process. Mt. Airy, Philadelphia, PA: Zoetrope, 2018. Newer version available here: https://www.thomaskitts.com/page/36804/tad-spurgeons-living-craft
Elliott, Virgil. Traditional Oil Painting. Echo Point Books & Media, LLC, 2019. https://amzn.to/4nwIdzq
General information about this class of pigments from Handprint
CAMEO Materials Database: Conservation & Art Materials Encyclopedia Online, Museum of Fine Arts Boston. (Accessed June 2025). Phthalocyanine Blue https://cameo.mfa.org/wiki/Phthalocyanine_blue. Museum of Fine Arts Boston
Mayer, Ralph. The Artist's Handbook of Materials and Techniques, 5th ed., New York, NY, Penguin Group, 1991. https://amzn.to/44OzBN9

Excellent in oil and acrylic, may be less LF in watercolor. May depend on pigment supplier
Excellent, but less lightfast in watercolor. At least one of the tests on Handprint show a slight falloff in tints.
Transparent
A highly transparent color that is almost black in masstone but extremely chromatic blue in tints and glazes
Previously thought to be in the category of Lower Concern, but may contain contaminants
Tubes made before 1982 or even 1986 may contain PCBs or dioxins. Current phthalos may also contain toxic contaminants depending on country of manufacture or other variables. Treat all pigments and paints with studio safety protocols. Please see the Artist's Guide to Health and Safety for information about the hazards associated with copper pigments. The author's most recent updated writing can be found through her site.
Extremely strong
One of the most powerful tinters. This color is one where it is almost always sold with extenders just to make the paint more usable.
Likely to be a slow drier like other phthalos (other variants are listed as around 5-14 days). Many offerings of PB15:2 dry in less than 5 days and are likely to contain driers.
Medium
Sources vary, but as a pigment it has a medium amount by volume. Some sources say when it is made into a paint, its oil by volume leans toward high
Copper Phthalocyanine
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