Dioxazine Violet

PV23

Alternate Name

Dioxazine Purple

Pigment Description

Dioxazine Violet, also sometimes found as PV23RS or PV23BS, the red shade and blue shade respectively. A nearly ubiquitous violet. Unfortunately it is not perfectly lightfast, which seems to be a trend among violet pigments. But who could resist such a rich purple gemtone? This is one of those pigments which has varying lightfastness depending on the manufacturer, so it is worth testing one's own paints. For an approximation, one can mix a lightfast PR122 with PB29, however Dioxazine Violet may still offer more chroma than the mix. We found some interesting notes from Bruce MacEvoy's work which suggested that sometimes violet mixes didn't actually have as strong of lightfastness as PV23 so that was a shock. Whether those tests only apply to watercolor or extend to oil would be interesting to discover.

This is a deep dark color in masstone that unfurls its chroma in glazes and tints.

According to Monona Rossol's work PV23 is sometimes contaminated by dioxins.

Resources

PV23 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com

Information about PV23 from Bruce MacEvoy, Handprint Guide to Watercolors, General information about this class of pigments from Handprint,

Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website.

Stats

Lightfastness

Varies tremendously depending on pigment supplier with some samples as excellent and others poor. May be sensitive to mixing whites. Also the Blue Shade and the Red Shade (two of many varieties of PV23) are assessed differently by the ASTM.

It has long been rumored that the lightfastness of this pigment varies depending on which pigment supplier was used by a given paintmaker. Golden found that it may vary from ASTM I (excellent) to ASTM III (poor) depending on the manufacturer. It is recommended to test any given brand you may use and update those tests periodically. In Golden’s lightfastness testing in oils, their version (called Egyptian Violet) performed at ASTM I in tints with Titanium White and Titanium-Zinc White. It slid to mostly ASTM II in the other mixing whites, but it is interesting that this color tanked in Lithopone mixed with safflower oil. In pure zinc, it tested as ASTM II but the sample also cracked off of the testing substrate. In watercolor, Dioxazine Violet may be as bad as ASTM III or ASTM IV, however Bruce MacEvoy’s tests showed that some PV23 samples could be as good as ASTM II.

Transparency

Transparent

Toxicity

Thought to be in the category of Lower Concern but may have toxic impurities

May be contaminated by dioxins (which are extremely toxic). See Monona Rossol’s latest work, available here on request.Treat all pigments and paints with studio safety protocols.

Tinting

Very Strong

Dry Time

Very Slow

We have heard several negative reports about the terrible drying properties of PV23. While we have not experienced it in commercial products, one of the most negative reports came from a respectable paintmaker before he apparently solved the issue and was able to offer Dioxazine Violet. Some manufactures list 10-21+ days, and others have a shorter timeframe. May contain driers.

Particle Size

Very Fine

Chemical Name

Dioxazine, or otazine, carbazole dioxazine BS, or carbazole dioxazine RS

Dry Pigments listing PV23

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