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    Top Pigment

    Phthalocyanine Green Yellow Shade

    PG36

    Alternate Names

    Phthalo Green YS

    Phthalo Green (Cl

    Br)

    Pigment Description

    This merry, high-saturation emerald green which leans a bit more yellow is called Phthalocyanine Green YS or Yellow Shade. In mixes it is the queen of limes. We've used this color to make some of the highest chroma lime greens when mixed with yellow. In phthalos greens, the yellow shade and the blue shade are different pigments, though each may have some sub-varieties within the pigment code.

    A stroke of phthalo green oil paint made by a palette knife

    Michael Harding Phthalo Green Yellow Shade, PG36

    Phthalo Green Yellow Shade, PG36, can be thought of as the yellower-green companion to PG7. This color is very dark in masstone, but when thinned for glazes or mixed into tints it is a gorgeous chromatic green. Robert Gamblin suggested that if only PG36 had been invented earlier than the other phthalo green, PG36 would be the more popular one today. We find both greens to be indispensable for a high chroma palette.

    A swoosh of green oil paint

    Some phthalo greens go by another name depending on the paintmaker, in this case Scheveningen. However the pigment code PG36 helps to identify the color regardless of paint names. Old Holland Scheveningen Green, PG36

    While phthalos are less toxic than some other paints, be careful with tubes made before 1982 (or even 1986) as they may contain PCBs as a contaminant. Please also see Monona Rossol's work as well as the Artist's Guide to Health and Safety, which has information that relates to working with pigments which contain copper.

    Two tubes of Gamblin oil paint with swatches of two different colors of green oil paint. While the greens are similar, the Phthalo Green Yellow Shade is a bit more of a yellow green while phthalo green blue shade is a bit more of a blue green.

    Comparison between the two types of Phthalo Green pigments. PG36 is more yellow green than PG7. Gamblin PG36, Phthalo Emerald on the right and Gamblin Phthalo Green, PG7 on the left

    Similar to PG7, the feel of modifiers, stabilizers and extenders are often found in PG36 as well.

    A daub of green oil paint made from PG36

    Williamsburg Phthalo Green Yellowish, PG36

    Resources

    PG36 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com,

    Spurgeon, Tad. Living Craft: A Painter's Process. Mt. Airy, Philadelphia, PA: Zoetrope, 2018. Newer version available here: https://www.thomaskitts.com/page/36804/tad-spurgeons-living-craft,

    Information about PG36 from Bruce MacEvoy, Handprint Guide to Watercolors, General information about this class of pigments from Handprint,

    Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website.

    Stats

    Lightfastness

    Excellent

    Considered to be ASTM I. This particular pigment was not mentioned in Golden’s recent testing with mixing whites in oil (they mention Phthalo Green, and we’re guessing it’s Blue Shade PG7). It may be useful to compare with their findings for PG7. Their research can be found here.

    Transparency

    Transparent

    Toxicity

    Previously thought to be Lower Concern, but may contain contaminants

    Tubes made before 1982 (or even pre-1986) may contain PCBs as a contaminant. Current phthalos may also contain contaminants depending on country of manufacture or other variables. Please also see Monona Rossol's work as well as the Artist's Guide to Health and Safety, which has information that relates to working with pigments which contain copper. Treat all pigments and paints with studio safety protocols.

    Tinting

    High

    Dry Time

    If fast, probably contains driers

    Some varieties dry in 1-2 days, others in 3-5, likely to contain driers

    Oil Content

    Medium to Medium High

    Ranges. Some sources say moderately low by volume, however made into a paint it may be moderately high. By weight, Artiscreation lists about 24g/100g of oil, but your pigment may have different requirements.

    Chemical Name

    Bromated and Chlorinated Copper Phthalocyanine

    with PG36 (Phthalocyanine Green Yellow Shade)
    No single-pigment Oil found with PG36

    DISCLAIMER: Please note that we are not experts in health and safety and we are not toxicologists, please consult the proper experts. We are not liable for any issues that may arise from the use of our website or its contents. The information contained in this site is provided without warranty or guarantee of any kind. We do not necessarily endorse any other website that are linked from our site. For any important pigment specs, please reference the manufacturer details. If you discover errors or omissions, please reach out through our contact form. Thank you.

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