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Top Pigment

Bone Black, Ivory Black

PBk9

Pigment Description

Deep, transparent, mysterious, and best only used sparingly in oil paint. Its origin is a bit melancholy as it is made from the charred bones of other animals, though thankfully this color is no longer made of real ivory. While none of the versions on the market these days are going to be made of charred ivory, needless to say this color is not vegan.

A dollop of Michael Harding Ivory Black in oil pigment, made with Bone Black PBk9 pigment

Michael Harding Ivory Black, made with PBk9

Ivory Black is a bit of a warmer black and has some transparency, though Mars Black is also warm, and differs in most respects. Ivory Black is lovely in glazes, but it is oil rich, and can have drying problems.

A swoosh of Ivory Black by Michael Harding Oil Paint

Michael Harding Ivory Black, made with PBk9 pigment

There can be some confusion regarding names for this pigment. Most paintmakers call their PBk9 bone black by the name of Ivory Black, but at least one also labels this Lamp Black, so here the pigment code helps in making an identification.

Heavy impasto ridges made with Old Holland Ivory Black Oil Paint

Old Holland Ivory Black Extra, made with pigment PBk9

As a pigment, this color requires a high amount of oil and tends to be a slow drier.

A swoosh-mark of Old Holland black oil paint

Old Holland Ivory Black Extra, made with PBk9. Old Holland labels their Ivory Black as a hue (Extra means imitation hue for Old Holland colors) since it is not made of real ivory

Something very surprising that we found in Monona Rossol's work was a note that there could be some concern of prion exposure through PBk9, which makes a lot of sense due to the sources for the bones to be burned. There is also a note for limits of respirable dust called PNOS limits, please see her work.

An old jar of Grumbacher Artists' Quality Ivory Black

A vintage jar of Grumbacher Ivory Black, PBk9, dry pigment

Resources

PBk9 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com,

Elliott, Virgil. Traditional Oil Painting. Echo Point Books & Media, LLC, 2019. https://amzn.to/4nwIdzq,

Information about PBk9 from Bruce MacEvoy, Handprint Guide to Watercolors,

Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website.

Stats

Lightfastness

Excellent

Generally considered to be among the most lightfast pigments, ASTM I.

Transparency

Semi-Transparent, Opaque

More transparent than Mars black or Carbon Black (PBK7)

Toxicity

Previously thought of in a category of low concern, however could have potential for prion exposure as it is made of burned animal bones, may contain carbon black

Carbon Black is itself a possible carcinogen. See Monona Rossol's work for more information and consult SDS.

Dry Time

Slow to Very Slow

When paintmakers list short dry times (like 2-7 days) it probably contains driers. Mayer lists this as a pigment with a Very Slow dry time. It also forms soft paint films.

Oil Content

Varies, Medium to High

Probably high. Some sources list it as medium by volume, however it has a reputation for being an oily oil paint. We wish more paint manufactures would classify their paints by oil volume. Williamsburg lists theirs as moderately high for oil content. Mayer categorizes its oil volume as high with a score of 101, and at least one other source agrees.

Chemical Name

Carbon (Amorphous) made from charred bones of animal origin

with PBk9 (Bone Black, Ivory Black)
No single-pigment Oil found with PBk9

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