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    Top Pigment

    Lamp Black, Carbon Black, Lampblack

    PBk6

    Alternate Names

    Carbon Black

    Vegetable Black

    Pigment Description

    This is one area where the pigment codes get very confusing. Are you ready? Ok. Good. The names for the carbon blacks are used somewhat freely by paintmakers, and it can be a bit of a trick to figure out which is which. The ASTM and Handprint both identify PBk6 as "Lamp Black," whereas Artiscreation identifies PBk6 as a naturally occurring very black graphite (Shungite) which is only found in a particular deposit in Russia. Ok, well before we settle into complacency another trusted source lists "Lamp Black" as PBk10. There is also some confusion about the difference between PBk6 Carbon Black and PBk7 Carbon Black. We're going to go with Lamp Black as PBk6 for the present.

    A bit of Michael Harding's PBk6, Lamp Black, in oils

    A swish of Michael Harding Lamp Black, PBk6, in oil paint

    In general, carbon black pigments are extremely dark cool black pigments. In regards to lamp black, it pulls toward the blues in mixes and can pull yellow towards green. It tends to be quite opaque and lightfast.

    Thin runs of Michael Harding Lamp Black oil paint are quite opaque

    Michael Harding Lamp Black PBk6 has intense coverage even when spread thinly

    It takes a very large amount of oil to make this pigment into a paint, and it naturally inhibits the drying as well. We have heard that most if not all the paints contain driers and are still very slow drying.

    Not all painters love the way this color handles in mixes, and many convenience blacks have been proposed over the years which will combine in a more friendly way than Lamp Black. However in some cases, Lamp Black is recommended for landscape shadows as it pulls toward a cool blue.

    A swoosh of Holbein Peach Black

    Holbein's Peach Black is a convenience blend of PBk6, Lamp Black, and PBk1

    In terms of health, Carbon black itself is sometimes listed as a carcinogen, so like all pigments handle with care. According to Monona Rossol's work, in regards to both PBk6 and PBk7, "Old manufacturing processes create cancer-causing impurities. New manufacturing processes can produce it without," but it is difficult to know whether one's carbon black has impurities. She goes on to add that nanoparticle carbon black is actually toxic just by itself. Also note: Shungite shares this pigment code, however this is mostly in relation to Russian Icons. Natural Pigments sells this rare version of PBk6. Since this is only from Karelia, Russia, most PBk6 will refer to normal carbon black. Carbon black is associated with slow drying, and may slow drying of other colors when mixed with other pigments. PBk7 is a closely related pigment, and the two are somewhat enmeshed in the literature.

    Some companies call their PBk6 oil paint Lamp Black, Ivory Black, Transparent Black, or Carbon Black.

    Impasto dollops of Holbein Peach Black oil paint

    Holbein Peach Black, a combination of PBk6 and PBk1

    Resources

    PBk6 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com

    Information about PBk6 from Bruce MacEvoy, Handprint Guide to Watercolors,

    Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website.

    Stats

    Lightfastness

    Excellent

    Reported to be ASTM I

    Transparency

    Semi-Opaque to Opaque

    Toxicity

    Previously thought to be Lower Concern, however contains carbon black, a possible carcinogen

    Carbon Black is itself a possible carcinogen. Treat all pigments and paints with studio safety protocols.

    Tinting

    Strong

    Dry Time

    Very Slow

    Carbon blacks require a lot of oil. Additionally they may actually hinder the drying of the paint film. Some painters avoid carbon blacks for this reason. Some manufacturers list timeframes like 9-14 days for drying time, however we have heard that all the carbon blacks contain dryers. Mayer classifies this as a very slow drier with also creates soft paint films.

    Oil Content

    Extremely high

    One of the pigments that requires the most oil. A chart from Williamsburg compares oil content by volume. Mayer placed it as Very High with a score ranging from 164 to 194. By weight it is something like 109-160g/100g of oil (artiscreation).

    Chemical Name

    Carbon, nearly pure amorphous carbon

    with PBk6 (Lamp Black, Carbon Black, Lampblack)
    No single-pigment Oil found with PBk6

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